Joseph Beckham Cobb
planter, newspaper editor, and politician, Joseph Beckham Cobb is
today most renowned as the author of Mississippi Scenes,
a collection of thirteen sketches in the style of Southwestern Humorists
such as Hooper, Harris, and Longstreet,
to whom the book is dedicated. Though the book is obviously modeled
on Longstreet's earlier Georgia Scenes, other influences
on Cobb include eighteenth-century British writers such as Addison,
Steele, and Johson and closer to home, the American writer Washington
born near Lexington, Georgia, on April 11, 1819, the son of Thomas
W. Cobb, who would later represent Georgia in the U.S. Senate. He
was educated at the Willington Academy in South Carolina and later
at the University of Georgia,
where he studied law but did not complete the requirements for the
degree. On October 5, 1837, he married Almira Clayton of Athens,
Georgia, and moved the following year to Noxubee County, Mississippi.
in Mississippi, first as a planter and then as a politician. He
was elected to the state legislature in 1841, but he resigned two
years later after refusing to attend a special session. In 1844
he moved to Longwood Plantation near Columbus, where he lived for
the rest of his life.
1845 to November 1846 he edited the Columbus Whig, where
he championed Unionist policies in opposition to the nullification
and secessionist ideologies of Democrats. In the early 1850s he
again turned to politics, first as a delegate in 1850 to the Mississippi
Convention to ratify the Compromise of 1850, and then in 1851 as
a delegate to a convention in Nashville to consider the Wilmot Proviso.
In 1853 he lost a bid to serve in the U.S. House of Representatives.
When he died in September 1858, he left to his wife and four children
(three boys and one girl) an estate valued at $117,000.
three books during his lifetime. His historical novel The Creole:
Or, the Siege of New Orleans (1850) is set for the most part
following Andrew Jackson's victory against the British in New Orleans
in January 1815. The novel is a loosely organized romance patterned
after the typical literary interests of the times, which include
Walter Scott, Byron, and the popular sentimental novel.
he published Leisure Labors: Or, Miscellanies, Historical, Literary,
and Political, a collection of essays Cobb had earlier contributed
to the American Whig Review. Most are lengthy reviews of
books, though he also conveys a strong sense of his Whig political
sympathies and his views on slavery and the slave trade, arguing
for a legitimate interpretation of the Constitution. Though he does
not oppose slavery itself, he does argue that the Constitution allowed
Congress the power to limit the spread of slavery.
for his 1851 book Mississippi Scenes, however, that Cobb
is most remembered. "I have written," he writes in the Introduction,
"as a journalist or sketcher, not as an essayist or a politician,"
and indeed it is with a detached and objective viewpoint that the
narrator describes the actions in the sketches without a trace of
moral judgment. In the manner of the Southwestern humor that had
earlier been written by Longstreet,
Cobb's narrator is an urbane, reasonable gentleman who abhors excesses
and pretenses. Under his narrator's objective scrutiny are depicted
a number of predilections and predicaments common in northeastern
Mississippi during the mid-nineteenth century. Country bumptiousness,
credulousness (upon observing shoeblacks, patent medicine vendors
and the like), and religious enthusiasm are among the excesses noted
in the six "Rambler" sketches, while the remaining seven focus on
the absurdity of campaign rhetoric, a Virginia woman's steadfast
patriotism during the American Revolution, and slavery. Two of the
seven are superstitious tales patterned on the tales of Washington
Irving, "The Legend of Black Creek" and "The Bride of Lick-the-Skillet."
journalistic approach toward his morally questionable characters
and situations in Mississippi Scenes makes his book seem
more modern than some later Realists and has secured it an important
place in the realism of the antebellum South.
Related Links & Info
web sites feature essays on Southwestern Humor:
Anti-Heroes in Southwestern Humor
Humor and Mark Twain, by Angel Price.
Land: The American West As Symbol and Myth (1950), an
online book by Henry Nash Smith.
- The Creole: Or, Siege of New Orleans: A Historical Romance: Founded on the Events of 1814-15 (novel). Philadelphia: A. Hart, 1850.
- Mississippi Scenes: Or, Sketches of Southern and Western Life and Adventure, Humorous, Satirical, and Descriptive, Including the Legend of Black Creek (stories and sketches). Philadelphia: A. Hart, 1851.
- Leisure Labors: Or, Miscellanies, Historical, Literary, and Political (essays). New York: D. Appleton and Co., 1858.
- Buckley, George T. "Joseph B. Cobb: Mississippi Essayist and Critic." American Literature 10 (May 1938): 166-78.
- Phillips, Robert L., Jr. "Cobb, Joseph Beckham: 1819-1858." Lives of Mississippi Writers, 1817-1967. Ed. James B. Lloyd. Jackson: University Press of Mississippi, 1981. 95-98.
Information to this page
About This Site | New Book Info |
News & Events |
Literary Landmarks |
Mississippi Literary History |
Mississippi Publishing |
Other Features |
Other Web Resources
by author |
by title |
by place |
by year |
SEARCH THE MISSISSIPPI WRITERS PAGE
This page has been accessed
2242 times. About
this page counter.
UM Home Page |
English Department |
Center for the Study of Southern Culture |
The University of Mississippi Foundation
Last Revised on Monday, November 9, 2015, at 04:35:02 PM CST.
Send comments to email@example.com
Web Design by John B. Padgett.
Copyright © 2015
The University of Mississippi English Department.